Biutiful is a tale about Uxbal, a middle-aged man who is suffering from prostate cancer which becomes terminal during the course of the movie. In a struggle to save money in order to pay the rent and be able to leave money to care for his children financially after his death, he engages in a number of dodgy enterprises, including but not limited to drug dealing (in addition to using) and brokering the cheap labor of smuggled Chinese immigrants. It is later on, as the end becomes nearer, that he tries to repair his karma by confronting the snakeheads and trying to right this and some of the other wrongs he has commited in his life. When a Senegalese associate dies, he takes in his wife and child (and later ends up telling the wife to take care of his kids and handle the money). Uxbal remains physically active until near the end of his life, though he periodically enters the hospital for chemotherapy and other treatments. He is walking till the very end, though the toll the cancer takes is shown in scenes where he urinates blood, and walks home from a chemotherapy session whereupon he upchucks on the street. Near the end of the movie, he is shown wearing an adult diaper, which symbolizes the fact that the cancer is affecting him more physically, but he is keeping his suffering to himself.

Though he is far from an ideal parent to his two young children (the older of the two turns ten during the course of the picture), living in a shabby apartment and serving cold cereal piled high with sugar for dinner, he tries to be “present in his children’s lives” as he expresses it when he adds that his mother died when he was young, and he had never met his father. His grandfather had also been an absentee father.

While he is separated from the children’s mother Marambra, they do see and interact with one another on a regular basis. The children also spend some time visiting and, at times, temporarily living with, their mother, who initially seems to be the “more fit” parent, based on her more well-kept apartment and well-stocked refrigerator.

Marambra’s ability to be a properly functioning parent is negatively affected by her bipolar disorder. One one visit, Uxbal refers to her past alcohol abuse, and engages in some “checking up” on her. It is made clear that she has engaged in impulsive behavior in the past during manic states, and implied that she may be “self-medicating”. In one scene where she appears to be in a manic state, she is lively, gossiping, and amusing, as well as doting on the children. But on another occasion, she locks the little boy in the basement as a disciplinary measure. Somewhat later, it is made clear that the depressive phase of her condition is coming on. While I do not have any information about the state of affairs in Spain’s mental health system, Marambra makes reference to having previously gone to a “clinic” for her mental illness, where she was “tied up”. No psychiatric medications are seen or spoken of, and nor is electroshock.

Perhaps Marambra realizes she needs to regain her equilibrium for the sake of her children, because she goes to the clinic in spite of the deterrent of being restrained. Uxbal takes the children for the duration, and tells the children the truth, but he also tells them that while she needs to “rest” at the moment, they will be able to visit her later on “any time they want”. She is still in the clinic when Uxbal’s condition becomes worse and he dies.

The Social Network

In The Social Network, a cinematic adaptation of the book ‘The Accidental Billionaires: The Founding of Facebook: A Tale of Sex, Money, Genius and Betrayal‘, the actor who plays FaceBook founder Mark Zuckerberg portrays the character with certain characteristics which are suggestive of Asperger’s Syndrome and/or autism spectrum disorders. On many occasions, Zuckerberg’s character is shown as having a flat affect (especially if he is asked something while concentrating on his work at the computer), and in one instance, he engages in hand motions similar to those exhibited by Temple Grandin.

However, in an early scene of the movie, his soon-to-be-ex girlfriend has other ideas about what ails him. In a tete-a-tete at a restaurant, when his conversation was dominated by his fixation on how he wanted to get into a one of Harvard’s influential clubs, and how he would go about “gaming” the process, she speculates that he might be “OCD”, and would benefit from medication. Later on, she comes up with a more colorful assessment of his character: he must have some exceptional flexibility, in order to get his “head up his ass”.

Larry Rosen, Ph.D., a professor of child psychology at California State U, had this assessment:

Jesse Eisenberg’s character qualifies as showing signs of many DSM-IV psychiatric conditions including adult antisocial personality disorder, Asperger’s, ADHD, and narcissistic personality disorder. But on the other hand, he defined a socially connected world where those behaviors are acceptable or at least accepted. If you examine our behavior behind the screen we feel comfortable acting in any way we can because nobody can see us and we have some sense of safety in that we can’t see them. We can’t see them crying, or feeling hurt. So Eisenberg’s behavior is actually acceptable online but unacceptable in person and is precisely what we’re seeing exhibited now behind one of the many screens countless hours each day.”

It is initially made to seem that certain extremely negative characteristics, including a conspicuous coldness to others including those who are supposed to have the status of friends, are inherent personality defects on the part of Zuckerberg.

His separateness from the general population is even emphasized by what must be the producers’ and scriptwriters’ decision to riff on or to rip off A Beautiful Mind, by having him write the algorithm for the functionality of FaceBook in paint marker on his dorm room windowpane. Zuckerberg’s social milieu, however, can hardly be said to be stocked with eusocial examples for him to emulate. Many of his peers who are ostensibly “normal” may have different daily conduct, but in many cases, it could hardly be called “better”. As the story unfolds, it is revealed that a number of individuals, both co-founders and rivals, spend a great deal of time engaged in manipulating and sabotaging others for material and psychic gain. Sean Parker (played by Justin Timberlake) at one point seems to be exerting undue influence over Zuckerberg in the newly-formed corporation and this contributes to a falling out with Zuckerberg’s former best (and only) friend, Edwardo.

The Winklevoss twins, in an effort to get Zuckerberg punished by the official power of the university, alleging that Zuckerberg had violated the institution’s honor code while working on the similar software development project they had contracted, The Harvard Connection, by stealing their idea and turning it into facebook, go to the then-president of Harvard, Larry Summers (also reputedly an Aspie) who tells them to simply “find another idea”.

Clinging desperately to that idea, having attached a disproportionate amount of potential profit to it, every one of the principals ends up suing everybody else, resulting in a legal, social, and financial morass which takes a team of lawyers a lot of time around a conference table to sort out. Zuckerman ends up learning remorse and regret for the damage done to relationships he had perhaps taken for granted, turning to a female lawyer for advice and support, and saying something genuinely indicative of caring to her.

Since we are not privy to the real Zuckerberg’s medical records, the audience is left to ask… Aspie or Asshole?