[easyazon-image align=”left” asin=”B00CYI4KK2″ locale=”us” height=”160″ src=”http://ecx.images-amazon.com/images/I/51ilmi1oZsL._SL160_.jpg” width=”108″]The Story of Luke deals with a young man with autism, abandoned in infancy by his mother and raised by his grandparents. His grandmother, as his primary caregiver, had perhaps sheltered him more than she should have. Luke gets home schooled and/or takes distance learning classes for high school. He lacks vocational training or any sort of transition plan. When his grandmother dies, he is forced to move in with his Uncle Paul and Aunt Cindy, who have issues of their own (she’s on antidepressants, and he’s just a pill), and two younger (presumably) “normal” children. There are some scenes where “what to do about Luke” is discussed among others, and he overhears. Aunt Cindy has delicate sensibilities, and must have deep pockets as well, because she has the grandfather admitted to a nursing home following an incident where he attempts to grab her posterior, and offers her $20. At a rest stop on the way to the nursing home, Luke’s grandfather tells him that Luke is now a man and must live his own life, including getting a job and finding a woman who “is willing to travel and doesn’t nag too much”. At the rest stop, Luke meets a sympathetic convenience store clerk who gives him a pile of pornographic magazines when he asks about “screwing”. Luke’s final conversation with his grandfather has a strong impact on the boy, who decides, despite the challenges faced by his condition, to try to get a job and a girlfriend. These pursuits are made more challenging than they had to be by the fact that he lacks transportation, and his aunt is initially against him attempting to get a job. She comes around, when she realizes that enforced idleness and lacking the opportunity to acquire an adult role could be harmful and depressing to him as well.
Luke is not the “stereotypical autistic”. He speaks and responds to others, though stilted delivery and the repetition of common sayings act as an indicator that he does not have the spontaneity that others do, and the clearly-shown anxiety with every challenging situation he encounters hints at what lies beneath the polite well-groomed young man’s attempt at maintaining a socially-appropriate mien. He walks down the street covering his ears when loud sounds overwhelm him, and significantly sits in the seats reserved for the handicapped when he takes the bus. Some situations provoke a bit of mild “stimming”. Though he discloses some talent at preparing dishes he had seen made on cooking shows on TV, he denies any specialized or savant skills. When asked about his condition, though some call him “a retard” or say he has autism, he claims “my grandmother told me that I defy clinical categorization”.
The grandfather, who seems physically healthy other than an incident of incontinence and the revival of a smoking habit, dies conveniently the next time Luke is given the opportunity to visit the nursing home.
After he settles in with his aunt and uncle, Luke at first unsuccessfully pursues both work and love, signing up with a temp agency where he meets an older black woman “with nice tits”, who works as the receptionist, and is later the first woman he asks for a date. He finds out about a company that could help him, with a program called the Smile, which hires and trains people on the autistic spectrum for menial jobs within corporations. The owner, in fact, has an autistic son who works for him, Zack, supervisor of the new apprentices. Zack is bitter and abrasive, and feels a need to prove himself to his father. Luke is then hired as an apprentice and in spite of Zack yelling at him and being less than clear about some of his initial job responsibilities, he proves himself able to adapt. His resourcefulness and desire to ask out the girl at the temp agency hits Zack, who decides to try to help him, which has the result of helping himself at the same time.
Zack teaches Luke to carefully observe and mimic the body language and non-verbal interactions of “NTs”, or “neurotypical” people, and then shows him simulator software he developed which has on-screen virtual faces and personas responding in real time to Luke’s interactions with them. In spite of this unique training tool for human interaction, Luke still gets rejected when he asks the woman on a date. Zack ends up getting it used for customer service within the company, and hopefully, redeeming himself in his father’s eyes. Luke starts looking exceptionally personable and capable, and lands a long term job with the company.
In the meantime, Luke’s aunt, uncle, and cousins have been warming up to him, and discover the whereabouts of his mother. Zack helps groom Luke for the occasion and accompanies him when he decides to meet his mother. Luke discovers that his mother has another grown son and a family who doesn’t know about Luke, and she would prefer to keep it that way. Though Luke is disappointed that his reunion with his mother wasn’t a happy and loving one, by NT standards, he does get closure on why she acted as she did: “I didn’t think I would ever hear you talk to me” she said.
Defining Beauty: Ms. Wheelchair America
Defining Beauty: Ms. Wheelchair America, narrated by Katey Sagal, and directed by Alexis Ostrander, is a feature length documentary that reveals the behind-the-scenes aspects of a perhaps little-known beauty pageant which provides a unique experience for women in wheelchairs by following the stories of five of the contestants in the 2010 Ms. Wheelchair America Pageant.
The women given extended air time in the documentary (there are many more, including pageant organizers and family members, who are given sound bites) make it a point to show the audience that while they must utilize wheelchairs, their status as wheelchair users doesn’t define them, though they are well aware that many able-bodied people look at them and “just see the chair”. One is seen skydiving during the early part of the movie. Another described herself as “a single mother of three kids” (only one of which lives with her full-time, the pageant organizers later sent her a letter asking her to cease publicly describing herself in a way that implies she has full-time custody of all of them), which she says “is not typical for someone in my …position”. Later in the movie, a third who speaks of having consciously rejected “advocacy” for the disabled says she unconsciously ended up engaging in a form of it when she became her high school’s first wheelchair-using cheerleader, and later entered the mainstream Miss New Jersey pageant.
By sharing their personal stories, though many have horrific stories of spinal cord injuries acquired in car crashes, they hope to show the general population an image of wheelchair users beyond the simplistic portrayal of victims or heroes that is often promoted in the popular media. (One soon-to-be-former Ms. Wheelchair America “tags” a wall when out on a sight-seeing excursion for the contestants when she comes upon a street muralist who lends her a can of spray paint to enable her to do this. The citizenry and the law in the area of Texas where the pageant is held seem to take a live-and-let-live attitude during these outings of pageant contestants.)
One aspect of the documentary which is educational for those who are not well-acquainted with the lives of individuals who have physical disabilities, is when some of the contestants discuss on camera matters that individuals with less poise and savvy in dealing with the public might be embarrassed to discuss. Quadriplegics who don’t have physical sensation may occasionally get surprised by errant bladder and bowl action. Those who use catheters risk infection in portable toilet booths. There are those who have physical conditions which mean when they have to “go”, they have to go now. Mention is made of such things, perhaps because if the general public were aware of such matters, they would be more sensitive about keeping the wheelchair stall in the restroom free, and giving the disabled priority in restrooms.
Not everyone in a wheelchair who participates in this pageant has the same degree of ability to do things personally. Some footage of caregivers transferring people from wheelchair to bed, checking their clothing, etc. is seen. A woman who has “flippers” for hands, and stumps for legs, her mother having taken thalidomide when she was pregnant, is able to use the tips of her arms much the way an elephant uses his trunk, and puts on her eyeliner herself by propping the pencil eyeliner against the edge of the dressing table.
The Ms. Wheelchair America pageant draws upon a more diverse pool of applicants than many other pageants, being open to women between the ages of 21 and 60, who rely upon a wheelchair full-time. Judges are “encouraged to place less emphasis on physical attractiveness and more on ‘general pleasant appearance'”, capacity for “advocacy” is emphasized, and while there isn’t the same presumption of purity required of Miss America contestants, some drama ensues when a rumor concerning one of the contestants making porn for “devotees” (men who are “into” women with disabilities with the disability as their primary “turn-on”) circulates among the other contestants.